TALK STORY

Christian Wilson’s mid-1800s ties to Tahiti
When Christian Wilson began writing a story as a teen about a shipwreck in French Polynesia, he had no idea it mirrored the real-life survival story of his great-great-grandparents—who nearly perished in the 1855 Julia Ann disaster. Years later, he’d find himself called to serve a mission in those very islands and eventually help pioneer PCC’s first digital systems. Discover how faith, family, and divine connections span generations in this remarkable true story.

Listen up for slack key guitar in our Hawaiian Village
Tucked within the sounds of the Polynesian Cultural Center’s Hawaiian Village is a rare musical gem: the soulful resonance of kī ho‘alu — slack key guitar. Whether you’re strolling by or sitting in on a demonstration, if you’re lucky, you might hear Kaipo Mānoa’s fingers dance across the strings, carrying forward a once-hidden Hawaiian tradition. Discover how this deeply personal style evolved from cowboy roots into a world-renowned symbol of Hawaiian identity.

The Polynesian Cultural Center pays homage to Bill Cravens
From humble beginnings to historic leadership, William H. Cravens left a lasting legacy at the Polynesian Cultural Center and beyond. Discover the story of a man whose love for culture, community, and faith shaped generations — and helped build the foundation of the PCC we know today.

Aloha nui, Jack and Kit Regas
Jack and Kit Regas lived a life of love, legacy, and light—from Hollywood stages to sacred callings, touching thousands through dance, faith, and family. A 71-year love story that still echoes, tap shoes in hand.

Damaso Allan Makahinu Barcarse(1939-2016)
Allan Barcarse, a Church College of Hawaii alumnus and one of the original Polynesian Cultural Center dancers, left a legacy that spanned continents. From learning Japanese on his mission to sharing Hawaiian culture across Asia, Latin America, and Europe, his life was a powerful blend of faith, performance, and education.

Larry Nielson: PCC’s First Stage Manager
Larry G. Nielson, the Polynesian Cultural Center’s very first stage manager in what is now the Hale Aloha, brought an impressive list of talents with him when he became one of the PCC’s earliest employees in 1962.